I've seen a lot of games, films, and books involving romance.
Now that I think of it, rarely is my favorite protagonist a bachelor. At least not forever. Except Batman or something. I think that a lifestyle of that sort can be interesting because it centers the reader on specific aspects of a character's life without raising the question of hero's family is doing, for example.
I've noticed that for classical heroes, relationships just happen because they're so cool and accomplish something impressive. For example, who would turn down Hercules or Gilgamesh?
I'm not really familiar with how romance goes for tragic heroes like Orpheus. I don't know if he got the girl or not, but if he did, she probably died or something. I'll look into it.
Where things get really interesting to me though are the Byronic heroes, the absolute bastards of heroes. I don't even enjoy reading stories with these sorts of "heroes" because they usually have the wrong kinds of lessons. Basically, every angsty male protagonist these days.
I like classical heroes the most. For example, Clark Kent in Smallville and T'Challa in Black Panther.
I guess I don't really know where you want to focus in this thread. You're mentioning comic heroes, where romance plays a minor part. Then, you're mentioning Classical and ancient mythology were romance isn't "fleshed out"for various reasons. What's your take on Shakespeare? On the romances in Hemingway's work? On D.H. Lawrence? Anais Ninn? Tolstoy? Okparanta? What about poets like Maya Angelou, Rumi, Yeats, Keats, Nizar Qabbani? ... I'm not asking you to respond to any of these specific writers. I'm just curious what your general opinion is of romance in novels and poetry that you didn't mention?
There are definitely great romances in novels, and some on screen, but the writers who do it best (IMO) include romance as
part of the human experience, or discuss the human experience within the romance. For example, Austen writes about gender and class within her romances. Dostoevsky and Tolstoy write about romance as part of their stories about the struggles of life. Tolkien's "Beren and Lúthien" represent him and his wife and are woven into his Middle-earth fiction that otherwise focuses on adventure, imagined cultures, and war. All the novelists mentioned above use romance as part of a greater story about the human struggle, or use romance as a symbol for it. Poetry can capture romance well. The objective is to make the reader
feel.... to feel alive, to feel a kind of heartache, to feel like their heart is bursting.
I used to loathe romance movies, except for old ones (like from the1950s) because they are inane, but escapism, whether romance, comedy, or fantasy, is good de-stressing entertainment. We can't always watch Werner Herzog.
Outside of the Western world, arranged marriage usually.
My father's family practiced arrange marriage.
I don't mind romance, but I usually want it to be one part of a larger picture. And it's not really a requirement.
Same.