How many people here can relate to this? I certainly can. I've definitely been steeped in the unhealthy end of the spectrum for sure. Currently, I'd say I'm healthy with occasional dips into average. What about you?
The Five with a Four-Wing: "The Iconoclast"
The traits of the Five and those of the Four reinforce each other in many ways. Both Five and Four are withdrawn types: they turn to the inner world of their imagination to defend their egos and to reinforce their sense of self. They both feel that something essential in themselves must be found before they can live their lives completely. Fives lack the confidence to act, and Fours lack a strong, stable sense of identity. Thus, Fives with a Four-wing have difficulty connecting with others and staying grounded. People of this subtype are more emotional and introverted than Fives with a Six-wing, althrough paradoxically, they tend to be more sociable than the other subtype. As a result of their Four component, they are also more interested in the personal and intrapsychic. The two types also have some significant differences in their approach. Fives are cerebral, holding experience at arm's length, while Fours internalize everything to intensify their feelings. Despite these differences--or because of them--these two personality types make one of the richest subtypes, combining possibilities for outstanding artistic as well as intellectual achievement.
Notewothy examples of this subtype include Albert Einstein, Werner Heisenburg, Friedrich Nietzsche, Georgia O'Keeffe, John Cage, John Lennon, k. d. lang, Laurie Anderson, James Joyce, Emily Dickinson, Stanley Kubrick, David Lynch, Buster Keaton, Gary Larson, Stephen King, Tim Burton, Clive Barker, Franz Kafka, Umberto Eco, Jean-Paul Sartre, Oriana Fallaci, Glenn Gould, Peter Serkin, Hannah Arendt, Kurt Cobain, and Vincent van Gogh.
In healthy people of this subtype, we find the union of intuition and knowledge, sensitivity and insight, aesthetic appreciation and intellectual endowments. Fives with a Four-wing are likely to be involved in the arts as writers, directors, designers, musicians, composers, choreographers, and so forth. The subtype has been somewhat overlooked in many descriptions of Fives because they do not fit the stereotype of the academic/scientific Five (the Five with a Six-wing). This subtype is more synthetic in its thinking, pulling things together and seeking out new ways of looking at things, Also, Fives with a Four-wing tend to utilize their imaginations more than the analytic, systematic parts of the mind which are more the domain of the other subtype. If they are involved in science, Fives with a Four-wing are drawn to those areas in which there is less emphasis on experimentation and data collection than on intuition and comprehensive vision. This subtype is particularly aware of--and on the lookout for--the beauty in a mathematical formula, for example. For this subtype, beauty is one of the indications of truth, because the order which beauty represents is a confirmation of the objective rightness of an idea. One of the foremost strengths of healthy Fives with a Four-wing lies precisely in their intuition, since intuition helps them uncover areas of knowledge where their conscious thoughts have not yet ventured. The Four-wing adds a desire to find a unique, personal vision to the curiosity and perceptiveness of the Five, and the result is a propensity to "tinker" with familiar forms until they become something almost unrecognizable. In talented Fives with a Four-wing this can lead to startling innovations in their chosen fields of endeavor.
In Average Fives with a Four-wing, the Four-wing adds emotional depth, but causes difficulties in sustaining efforts and in working with others. Fives with a Four-wing are more independent than Fives with a Six-wing and resist having structures and deadlines imposed on them. There can be an off-putting detachment from the environment, both because they are involved in their thoughts and because they are introverted and emotionally self-absorbed. Analytic powers may be used to keep people at arm's length rather than to understand them more deeply. Emotionally delicate, people of this subtype can be moody and hypersensitive to criticism, particularly regarding the value of their work or ideas, since this impinges directly upon self-esteem. Both component types tend to withdraw from people and be reclusive. They can be highly creative and imaginative, envisioning alternate realities in great detail, but can get lost in their own cerebral landscapes. The Four-wing gives a propensity to fantasizing, but with the Five with the Four-wing, the subject matter tends toward the surreal and fantastic rather than the romantic. Individuals of this subtype can become highly impractical, spending most of their time reading, playing intellectual games, or specializing in trivia. There is often an attraction to dark, forbidden subject matter or to any way of self-expression which would disturb or upset others. Some Fives with a Four-wing become fascinated with the macabre and the horrific. As they become more impractical and fearful about their possibilities in life, one typical solution is to find emotional solace in various forms of self-indulgence--in alcohol, drugs, or sexual escapades.
Unhealthy persons of this subtype may fall prey to debilitating depressions yet be disturbed by aggressive impulses. Envy of others mixes with contempt for them; the desire to isolate the self from the world mixes with regret that it must be so. Intellectual conflicts make their emotional lives seem hopeless, while their emotional conflicts make intellectual work difficult to sustain. Moreover, if this subtype becomes neurotic, it is one of the most alienated of all of the personality types: profoundly hopeless, nihilistic, self-inhibiting, isolated from others, and full of self-hatred. Unhealthy Fives with a Four-wing retreat into a very bleak, minimal existence, attempting to cut off from all needs. The self-rejection and dispair of the Four combines with the cynical nihilism of the Five to create a worldview that is relentlessly negative and terrifying. Social isolation, addiction, and chronic depression are common. Suicide is a real possibility.
The exception for me is that I rarely 'rehearse' out loud; still, the great majority of my conversations are mapped-out just as you've described. The metaphor of the actor rings very true, and acting has always been second-nature to me as a result of these 'role-rehearsing' habits. Moreover, at times I have felt as though I've gone too far; as though I've become only what my immediate audience wants me to become. But then I view these roles as merely a tool for conveying a deeper meaning and that, like any good bit of acting, if it's engaging and it comes from someplace honest, it must be worth hearing.
Sometimes I even argued with myself, lol. I love to do that because I needed an outsider's P.O.V., which I can't find one in real life who wouldn't get pissed at me for being so argumentative. I have to make sure no one's around to listen to it though, lol.
Like all the time. If there are 20 people in the room, I'm avere of everyone's emotions, except mine ofcourse , that's for later, lol.. Best part is I was never and probably never will be in a toxic relationship. On the other side I have to close my eyes on concerts or clubs to relax, dance and enjoy. Fun times